![]() ![]() The video shows us the ProTools tracks (the standard studio software used to mix and record sound for movies) as the recordings of metal, concrete, and screams of the green rage monster collide with the colossal metal suit, disintegrating the surrounding battle front.īoyes says the most difficult challenge of the film was actually creating Ultron’s voice, as the designers worked tirelessly to make the basic James Spader vocal track more robotic and ominous. To match the moment, Boyes had to reimagine Hulk’s sonic profile to be even more intense and angry. The Hulk has some issues in the new film, which present their own sonic challenges, and these escalate when Tony Stark has to break out the Hulk Buster suit. To make his movements feel more real, Boyes designed thousands of different “fast sounds” that use doppler effects and a “percussive stuttering” sound, to follow Quicksilver’s trail. Take Aaron Taylor-Johnson’s supersonic speedster, Quicksilver, who moves so fast you can’t actually see him. In the digital age, each character has his or her own sound profile, crafted in the studio to create a unique sonic footprint for our ears to grab onto. ![]() Things have certainly changed from the days of Foley artists tapping shoes on 2 x 4s, and flapping saws to make thunder. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |